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1998 in Grunge Vets (Pearl Jam, Scott Weiland, Jerry Cantrell)

The canonical "big four" of grunge are said to be Pearl Jam, Alice In Chains, Nirvana, and Soundgarden. Of these, really only Pearl Jam were active in 1998: Nirvana were no more in the wake of Kurt Cobain's death, Soundgarden were broken up at the time, and Alice In Chains were on hiatus. However, members of three of these groups would release solo material or other projects in that year. 

Pearl Jam:

Not only were Pearl Jam active at the time, they had two releases in 1998: Their fifth studio album Yield and first major live album Live On Two Legs. Yield is one of their stronger albums - by this point they had managed to turn the more experimental moments of Vitalogy into something more cohesive. Unfortunately rock radio had already started its pattern of playing one or two singles off whatever the newest album was, then going back to pretending only the first four albums existed. I guess what I'm trying to say is that there's a lot of Pearl Jam on the radio already, but the least they could do is mix things up and play things off other albums: "Given To Fly" and "Wish List" are catchy enough to share airtime with "Even Flow" and "Better Man". Live On Two Legs was probably more notable in its day - not only was it their first major live album, but they also hadn't released a hits compilation yet, so I can see it being a defacto "Greatest Hits" in some listeners' collection at the time. 

Going solo (Scott Weiland, Jerry Cantrell) :

Scott definitely deserves credit for not playing it safe with his solo debut 12 Bar Blues - there's very little that sounds much like Stone Temple Pilots here: Instead there's electronic experimentation, psychedelia, and homages to other artists ("Barberella" is David Bowie, "Lazy Divey" is late 60s Beatles, "Lady, Your Roof Brings Me Down" might even be Tom Waits). Jerry Cantrell was apparently more reluctant to go solo with Boggy Depot and it shows a bit: The heavier tracks recall Alice In Chains' self-titled, the lighter ones recall Sap and Jar of Flies, and one of the only attempts to broaden the palette is the inclusion of horns in "Cut You In" - still there's plenty to like if you're a fan of the band. 

Also of note: Chris Cornell's "Sunshower", his contribution to the Great Expectations soundtrack - Cornell would release his solo debut in 1999, and it was very much in the same vein. 

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What is this about?

In 2016, I wrote years from 1950 to 2000 on scraps of paper, put them in a bag, and started pulling them out when the occasion struck me - Once I picked a year, I would listen to nothing but albums from that year, stopping whenever I felt I had enough, at which point I'd either pull out another year or take a break from the process for a while. It's an entertaining way to discover new music you might not have tried otherwise, and allows you to get more of a cultural context towards whatever albums you already love from that year. I could use this basic idea for other fields of art and entertainment (books, movies, etc), but for now I'm sticking with music as it's the easiest for me to pursue. This blog is largely going to be dedicated to lists of albums I've listened to, but might also contain my thoughts on individual albums or musical trends I notice. Some additional rules I've given myself for this project, which I may or may not break in the future: Gre

2004

Kanye West – The College Dropout (American hip-hop, debut album) Franz Ferdinand – Franz Ferdinand (Scottish indie rock/dance rock, debut album) Modest Mouse – Good News for People Who like Bad News (American indie rock) Arcade Fire – Funeral (Canadian indie rock, debut) Green Day – American Idiot (American pop punk rock opera) Mastodon – Leviathan (American heavy metal, loose concept album based on Moby Dick) Bjork – MedĂșlla (Icelandic (mostly) acapella experimental pop, featuring appearances by Rahzel, Mike Patton, Robert Wyatt and others) They Might Be Giants – The Else (American alternative rock) Dillinger Escape Plan – Miss Machine (American math-metal, first album to feature Greg Puciatio on vocals) Pig Destroyer – Terrifyer (American grindcore) Ratatat – Ratatat (American electronic rock, debut album) Nightwish – Once (Finnish symphonic metal) The Killers – Hot Fuss (American dance rock, debut) Feist – Let It Die (Canadian b

1998

Beastie Boys - Hello Nasty (American alternative hip hop) They Might Be Giants - Severe Tire Damage (American alternative rock, live album also featuring three new studio recordings) Primus - Rhinoplasty (American funk metal / experimental rock, features six cover songs, one remake of an original song, and two “bonus live tracks”)*  Neutral Milk Hotel - In The Aeroplane Over The Sea (American indie rock/psychedelic folk, their second and final full length studio album)   Beck - Mutations (American folk rock/psychedelic rock)  Various - Deconstructing Beck (various artists create plunderphonics/noise sound collage pieces using unlicensed Beck samples, co-release by Illegal Art and Negativland’s Seeland Records)  Phish - Story of the Ghost (American jazz-funk/progressive rock)  Garbage - Version 2.0 (American alternative rock / synth rock)  Korn - Follow the Leader (American nu metal) System of a Down - System of a Down (Armenian American alternative metal / nu metal, debut album)  Orgy